| Ghosting nested masks and blends |
03:23 |
| 18. Seamlessly Repeating Tile Patterns |
| Patterns that repeat forever and ever |
00:51 |
| Introducing tile patterns |
06:36 |
| Beginning a core design |
05:06 |
| Building an interlocking element |
06:24 |
| Achieving precise radial symmetry |
04:46 |
| Rotating duplicates around a common center |
03:10 |
| Determining how a pattern repeats |
09:54 |
| Coloring the core objects |
05:00 |
| Identifying the rectangular tile |
07:14 |
| Saving tile patterns |
07:18 |
| Applying tile patterns to a shape |
03:25 |
| Protecting patterns from transformations |
07:36 |
| Moving patterns without paths |
05:51 |
| 19. Calligraphy, Blobs, and Art Brushes |
| Illustrator gets natural |
01:15 |
| Introducing the vector painting tools |
03:16 |
| Calligraphic brush options |
04:03 |
| Pressure sensitivity |
05:17 |
| Editing a calligraphic brush |
05:53 |
| Repainting and smoothing paths |
05:30 |
| Making the paintbrush behave |
06:16 |
| Erasing stroked paths |
03:17 |
| Painting with the new Blob brush |
06:24 |
| Refining filled paths with the Eraser |
04:14 |
| Painting independent paths |
03:53 |
| The Selection Limits Merge options |
03:20 |
| Applying and scaling an art brush |
06:23 |
| Snipping a brushed path |
04:55 |
| Colorizing an art brush |
04:09 |
| Heaping a stroke on an art brush effect |
04:32 |
| Creating a custom art brush |
06:51 |
| 20. Importing and Linking Images |
| The computer art world’s dynamic duo |
01:07 |
| Copying and pasting pixels from Photoshop |
07:21 |
| Linking is efficient, embedding is not |
02:47 |
| Editing an image in Illustrator |
07:30 |
| Filtering an image in Photoshop |
06:34 |
| Adding a filter mask in Photoshop |
06:25 |
| Masking a woman from the background |
03:49 |
| Creating a sepia effect |
06:37 |
| Adding a second gradient map layer |
02:13 |
| Achieving a graphic effect with Levels |
08:09 |
| Preparing an image for use in Illustrator |
05:46 |
| The importance of image resolution |
09:40 |
| Placing and linking images |
04:43 |
| Managing linked images |
06:18 |
| Integrating an image into a design |
05:12 |
| A better way to wrap text |
07:28 |
| Previewing the trim size |
04:25 |
| Layer comps and editable text |
08:42 |
| 21. Using Transparency |
| Transparency is safe and fun |
01:27 |
| Introducing the translucent composition |
04:39 |
| Assigning opacity to an Appearance attribute |
03:41 |
| Creating a knockout group |
05:07 |
| Defining an opacity mask |
07:15 |
| Using the Clip checkbox |
02:41 |
| Opacity mask tips and tricks |
03:20 |
| The Multiply blend mode |
06:08 |
| Adding to an existing opacity mask |
07:53 |
| Blending between parallel groups |
07:27 |
| Creating a gradient opacity mask |
04:54 |
| Employing an opposing gradient mask |
07:57 |
| Combining Multiply and Screen |
03:49 |
| Blend mode roundup |
05:24 |
| Mixing blend modes inside a single path |
03:48 |
| Blend mode and transparent gradient |
03:49 |
| Masking an entire layer |
07:00 |
| Combining Screen with 100K Black |
07:43 |
| Knocking out a drop shadow |
05:18 |
| But will it print? |
03:08 |
| Working with the Flattener preview |
08:44 |
| Rasterizing an illustration in Photoshop |
09:16 |
| Super-rich blacks and raster effects |
03:34 |
| Exporting TIFF artwork from Illustrator |
07:48 |
| Conclusion |
| Until next time |
00:57 |