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| 1. Motion Round Trips |
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| Understanding the pros and cons of using Motion |
01:44 |
| Round-tripping from Final Cut Pro to Motion |
05:33 |
| Using markers for timing in a Motion round trip |
03:36 |
| Enhancing Final Cut Pro motion effects in Motion |
03:39 |
| Using optical flow technology for speed changes |
06:44 |
| Using audio from Final Cut Pro in Motion |
06:42 |
| Rendering out of Motion as an alternate to round-tripping |
04:12 |
| Creating a Motion template for use in Final Cut Pro |
04:39 |
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| 2. Soundtrack Pro Round Trips |
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| Understanding the pros and cons of using Soundtrack Pro |
01:54 |
| Round-tripping from Final Cut Pro to Soundtrack Pro with an audio project file |
08:18 |
| Using Soundtrack Pro to match EQ |
03:49 |
| Automating a commonly used adjustment with a Soundtrack Pro script |
04:00 |
| Working with a multitrack project |
07:46 |
| Reconforming a multitrack project if the edit changes in Final Cut Pro |
05:09 |
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| 3. Color Round Trips |
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| Understanding the pros and cons of using Color |
01:55 |
| Preparing the Final Cut Pro timeline for Color |
05:00 |
| Round-tripping from Final Cut Pro to Color |
05:45 |
| Refining Final Cut Pro three-way corrections in Color |
02:17 |